YOUNG, Ahead of Print.
In Second Modernity, traditional affiliations, ideals and norms continuously are becoming less important. Among the things affected by that are gender norms and sexualities, so that the reflexive self now has the task of relating to these transformations. Based on scene ethnographies (interviews, group discussions, participant observations), this article examines how the (youth) scenes Visual Kei and K-pop serve as social fields to challenge traditional societal norms of gender and heterosexuality. Gender-neutral ideals and gender-differentiating norms coexist in Visual Kei; heteroamorous fantasies coexist with various sexual realities in K-pop. In both scenes, the scene-specific gender displays also significantly influence the sexual displays. Scene members embrace a great diversity of sexual orientations, thereby applying cultural globalization and socially constructing post-traditional forms of gender arrangements and sexualities that intertwine ‘Western’ as well as ‘Asian’ practices and aesthetics.