Feminist Theory, Ahead of Print.
Barbie (2023) garnered enormous international box office success, stirring arguments about women’s empowerment in popular media and academic circles. This article investigates the challenging reception of Barbie in urban Pakistan, where its global success and partial screening ban sparked debates about cultural values and identity. The study investigates the socioeconomic, religious and gendered aspects of Pakistani audiences’ diverse reactions to the film. By analysing viewer reactions and the implications of the partial ban, the study offers insights into the subtle and often unclear processes by which culture and values are established. It reveals how negative perceptions of Barbie serve as markers of national identity, while acknowledging that some women find the film relatable and significant. This analysis contributes to scholarly discussions on the sociocultural impact of transnational media and the ongoing construction of cultural identities in Pakistan.