Abstract
Amidst the Covid-19 lockdowns of 2020 and 2021 in the United States and United Kingdom, a fantasy took hold that life under lockdown was like living in a time loop. The time loop quickly became the genre of the moment. And yet, however “timely” they appeared, most of the time-loop films and series du jour had been conceived and produced before the pandemic. Why and how did they become retrofitted to the temporality of the pandemic? To answer this question, we delve into the split time of the time-loop film. We argue that, in its deferred arrival, the time loop became a fantastical solution to the problems of loneliness, stuckness, and the future that the pandemic stoked but did not originate.